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Seller's Description

This tascam unit was taken out of a working rack. Remote included.

Our Thoughts RADAR AI

Condition is unknown, so at US$125 this lands a bit above the US$100 median and above the US$113 75th percentile from your recent comps, which makes it a slightly ambitious ask rather than a fair-market steal. In other words: not outrageous, but I’d want some extra value or proof of condition before calling it a clean buy.

What makes it appealing is the CD-200’s reputation as a sturdy, no-nonsense rackmount player: it’s built for dependable daily use, handles disc playback cleanly, and suits a system where you want pro-audio simplicity more than audiophile frills. The upside is strongest if the tray is smooth, the display is bright, the transport reads quickly, and it comes with a solid remote or strong service history; otherwise, at this price, I’d negotiate.

Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.

About Tascam

Tascam is a Japanese professional-audio brand whose roots trace back to TEAC, founded in 1953 by the Tani brothers. The TASCAM name emerged in the late 1960s as TEAC Audio Systems Corporation, and it was formally established in 1971 as TEAC’s U.S. distribution and development arm for recorder products aimed at musicians and studios.

The brand is best known for recorders, mixers, field recorders, multitrack production units, audio interfaces, and related studio gear. Its catalogue has historically centered on practical recording tools rather than lifestyle hi-fi, with strong associations to cassette Portastudios, reel-to-reel machines, and compact pro-audio components.

In the market, Tascam sits in the pro-audio and project-studio space rather than the high-end audiophile tier. Its reputation is built on utility, durability, and value, and some vintage models have become collector favorites, but the brand is not typically positioned as a boutique or luxury hi-fi name.

See all Tascam listings on RADAR.

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