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Akai AM-57
Vollverstärker
Baujahre: 1992 - 1994
Farbe: schwarz
Leistungsaufnahme: 280W
Abmessungen: 425 x 177 x 401 mm (BxHxT)
Gewicht: ca. 14 kg
Dauerleistung (bei Klirrfaktor)
8 Ohm: 2x 100 W (FTC, 8 Ohm, 20 Hz bis 20 kHz, 0,05%)
4 Ohm: 2x 170 W (DIN)
2 Ohm: 2x 240 W (DIN)
Dynamikleistung
8 Ohm: 2x 170 W
4 Ohm: 2x 240 W
2 Ohm: 2x 300 W
Frequenzgang: 5 - 100.000 Hz (+0/-3 dB)
At €200, this used Akai AM-57 is a genuine bargain, sitting well below the 25th percentile of €244 and the median of €287 from recent comparable EUR listings. When new, this integrated amplifier likely cost several hundred euros, making the current asking price a strong deal for an excellent-condition unit in today’s market.
The Akai AM-57 is well-regarded for its warm, musical sound and robust build, offering solid performance for vintage stereo setups. Its straightforward design, reliable transformers, and classic Japanese hi-fi tone make it a worthwhile buy for enthusiasts seeking character without modern complexity. With no noted caveats for this clean listing at a below-market price, it presents a clear buying opportunity for a fellow collector or listener.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Akai Electric Company Ltd. traces its origins to Japan, founded by engineer Masukichi Akai in Tokyo around 1929, with his son Saburo Akai playing a key role in its early growth. Initially focused on affordable radio components, the firm formalized as a full electronics manufacturer post-World War II, often cited as 1946. By the mid-20th century, Akai had evolved into a prominent name in consumer audio, peaking in the 1970s before financial troubles led to its exit from the industry in 1991.
The brand built its legacy on high-quality tape-based audio gear, including reel-to-reel tape recorders, cassette decks, tuners, amplifiers, and complete stereo systems that brought professional-grade sound to homes. In the late 1980s, Akai Professional revolutionized music production with the MPC series—starting with the 1988 MPC60, co-designed by Roger Linn—integrating sampling, sequencing, and velocity-sensitive pads into compact workstations that defined hip-hop and electronic genres.
Today, Akai holds a revered vintage-collector status among hi-fi enthusiasts for its robust 1970s components, prized for their warm analog character and build quality. In the pro audio realm, the MPC line endures as an iconic, mid-to-high-end tool for beatmakers, with modern iterations sustaining the brand through licensing. While not a current leader in traditional hi-fi like amplifiers or speakers, its heritage appeals to savvy buyers seeking timeless reliability over fleeting trends.
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