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Ich verkaufe hier mein Tascam Digitalaufnahmegerät.
Ein Netzkabel sowie das Handbuch ist vorhanden.
At €180, this is comfortably below what a clean, working 788 usually asks in the used market, so it reads as a good buy rather than a stretch. For a niche digital Portastudio with included cables and accessories, that’s a sensible entry price if it powers up and records properly.
The 788 is well-regarded for simple, hands-on multitracking: 8 tracks, decent onboard effects, and straightforward digital recording to internal hard drive, which still makes it appealing for sketching songs or lo-fi project work. The included accessories matter here because these older units can be fussy about setup, and a complete, excellent-condition listing is the kind of package that’s worth jumping on if you want a self-contained recorder instead of a computer workflow.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Tascam is a Japanese professional-audio brand whose roots trace back to TEAC, founded in 1953 by the Tani brothers. The TASCAM name emerged in the late 1960s as TEAC Audio Systems Corporation, and it was formally established in 1971 as TEAC’s U.S. distribution and development arm for recorder products aimed at musicians and studios.
The brand is best known for recorders, mixers, field recorders, multitrack production units, audio interfaces, and related studio gear. Its catalogue has historically centered on practical recording tools rather than lifestyle hi-fi, with strong associations to cassette Portastudios, reel-to-reel machines, and compact pro-audio components.
In the market, Tascam sits in the pro-audio and project-studio space rather than the high-end audiophile tier. Its reputation is built on utility, durability, and value, and some vintage models have become collector favorites, but the brand is not typically positioned as a boutique or luxury hi-fi name.
See all Tascam listings on RADAR.
