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Ich verkaufe einen AKAI AM-1100 Stereo-Vollverstärker.
Solider Vollverstärker mit Phono-Eingang (für Plattenspieler), mehreren Quellen und getrennten Bass-/Höhen-/Balance-Reglern. Funktioniert.
Zustand: Gebraucht, altersgemäß.
Nur Selbstabholung in Heidelberg am 1./2.08. Privatverkauf, daher keine Garantie, Gewährleistung oder Rücknahme.
This is a buyer’s market item at €60: for a vintage Akai integrated amp, that sits in the fair-to-good zone rather than bargain-bin territory, assuming it’s fully working. Without solid sold-price data for this exact AM-1100, I’d still call €60 sensible if the unit is clean and unmolested; if it needs service, the price becomes only okay.
The appeal here is straightforward: these older Akai amps are usually valued for their solid Japanese build, straightforward analog layout, and an easy, listenable presentation rather than spec-sheet fireworks. At this price, the upside is strongest if it’s an original-owner piece, has been stored well, and includes the front knobs/covers and proof it powers up quietly. For this generation, aged switches, pots, and relay/contact issues are the main things to check before buying.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Akai Electric Company Ltd. traces its origins to Japan, founded by engineer Masukichi Akai in Tokyo around 1929, with his son Saburo Akai playing a key role in its early growth. Initially focused on affordable radio components, the firm formalized as a full electronics manufacturer post-World War II, often cited as 1946. By the mid-20th century, Akai had evolved into a prominent name in consumer audio, peaking in the 1970s before financial troubles led to its exit from the industry in 1991.
The brand built its legacy on high-quality tape-based audio gear, including reel-to-reel tape recorders, cassette decks, tuners, amplifiers, and complete stereo systems that brought professional-grade sound to homes. In the late 1980s, Akai Professional revolutionized music production with the MPC series—starting with the 1988 MPC60, co-designed by Roger Linn—integrating sampling, sequencing, and velocity-sensitive pads into compact workstations that defined hip-hop and electronic genres.
Today, Akai holds a revered vintage-collector status among hi-fi enthusiasts for its robust 1970s components, prized for their warm analog character and build quality. In the pro audio realm, the MPC line endures as an iconic, mid-to-high-end tool for beatmakers, with modern iterations sustaining the brand through licensing. While not a current leader in traditional hi-fi like amplifiers or speakers, its heritage appeals to savvy buyers seeking timeless reliability over fleeting trends.
See all Akai listings on RADAR.
