ADCOM GCD700 Whit Remote
- Location
- US
- Source
- Reverb
- Posted
- 9 Aug 2026
- Last seen
- 1d ago
RADAR is a price search engine. We link to the original listing — we never sell direct. Transactions happen on the source site.
RADAR is a price search engine. We link to the original listing — we never sell direct. Transactions happen on the source site.
Disc format: CD (5 disc multi play)Digital converter: Burr Brown, 20 bit, 8 x oversamplingFrequency response: 20Hz to 20kHzDynamic range: 96dBSignal to Noise Ratio: 100dBChannel separation: 100dBTotal harmonic distortion: 0.005%Line output: 2.5VDigital connections: coaxial
US$325 is fair-to-good, but not a steal; it sits below the old US$1,250 retail and around the modern used cluster I’d expect for a working, presentable unit. Recent asking prices I can find include about US$180 plus shipping for a nice example and US$300 for a repair/untested listing, so US$325 is reasonable if this one is genuinely clean and fully functional.
The upside here is the usual Adcom appeal: solid build, a well-liked 20-bit DAC-era sound, and a five-disc carousel format that still feels practical if you like having a stack loaded. These are worth buying when they’re complete, because the remote and smooth changer operation matter a lot on daily use. At this price, I’d want confirmation that all five slots work, the tray is quiet, and the original remote is included.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
ADCOM emerged in the 1970s as a family-owned American audio venture founded by audiophile Newt Channin, initially focusing on exceptionally musical moving-coil phono cartridges that set it apart from typical entrants. The brand quickly pivoted to electronics with the groundbreaking GFA-1 power amplifier in 1979, delivering 200 watts per channel and robust current for demanding speakers, propelling ADCOM into prominence during the high-fidelity boom of the 1980s and 1990s.
The company built its legacy on high-performance amplifiers, including the Nelson Pass-designed GFA-555 that garnered worldwide acclaim, alongside AV tuners, preamps, and multichannel power amps like the GFA-6000 tailored for home theater. While early roots lay in phono gear, ADCOM specialized in electronics offering superior sound quality without extravagant pricing, eschewing speakers, headphones, or extensive cabling lines.
Positioned firmly in the mid-fi realm, ADCOM defined accessible high-end audio for discerning buyers, blending value and performance that rivaled pricier competitors. After challenges and ownership shifts—including a Thai firm and a faltering 2010 relaunch—the brand staged a robust comeback in 2024 under J&B Distribution, reviving classics like the GFA-555ms alongside modern integrated amps and preamps, reclaiming its spot among savvy audiophiles seeking reliable, soul-stirring sound.
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