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Gebrauchter Mixer
Funktionsfähig
Klebestreifen von live-Auftritten
Zwei Regler - unten links- leicht verbogen
Natürlich mit Stromkabel.
Given its age and the fact that this is an older-generation mixer, timing matters mainly for condition and how hard it has been used, not for chasing a newer replacement model. At €200, it lands right on the median of recent used comparables, so this is a fair, market-level ask rather than a bargain or an ambitious listing.
That makes it a sensible buy if it’s clean, fully functional, and the channels, EQ, and pots are quiet. Tascam’s larger analog mixers from this era are valued for solid routing, practical layout, and a workmanlike sound that still fits project studios and live use well. At this price, the upside is getting a substantial console without paying a premium; just confirm all faders, jacks, and power behavior before committing.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Tascam is a Japanese professional-audio brand whose roots trace back to TEAC, founded in 1953 by the Tani brothers. The TASCAM name emerged in the late 1960s as TEAC Audio Systems Corporation, and it was formally established in 1971 as TEAC’s U.S. distribution and development arm for recorder products aimed at musicians and studios.
The brand is best known for recorders, mixers, field recorders, multitrack production units, audio interfaces, and related studio gear. Its catalogue has historically centered on practical recording tools rather than lifestyle hi-fi, with strong associations to cassette Portastudios, reel-to-reel machines, and compact pro-audio components.
In the market, Tascam sits in the pro-audio and project-studio space rather than the high-end audiophile tier. Its reputation is built on utility, durability, and value, and some vintage models have become collector favorites, but the brand is not typically positioned as a boutique or luxury hi-fi name.
See all Tascam listings on RADAR.
