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Auralic Aries Mini streamer i väldigt fint skick. Utrymme för en SSD-disk om man vill ha en smidig lösning för uppspelning av FLAC eller WAV. Streamern syns då även som nätverkstekniker.
At kr1,500, this is basically right on the market for a used AURALiC ARIES MINI: very close to the kr1,504 median and comfortably inside the usual band. It reads as a fair, sensible buy rather than a steal, but not overpriced.
The ARIES MINI still has a strong reputation as a compact streamer with solid digital output quality, good app-driven convenience, and enough flexibility to suit a serious two-channel setup. If the unit is complete and behaves cleanly on network playback, this is the sort of used piece that can add a lot without much fuss; at this price, condition and included power supply/remote matter more than chasing a lower number.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
AURALiC was founded in 2009 by Xuanqian Wang and operated as a Hong Kong-based digital-audio specialist. The company built its reputation around the philosophy that high-fidelity audio should be accessible to serious listeners rather than confined to ultra-luxury markets. Though headquartered in Asia, AURALiC maintained a global distribution network and cultivated a dedicated following among audiophiles worldwide.
The brand specialized in digital streaming components and high-resolution audio sources, with their product lineup centered on network streamers such as the Altair, Aries, and Vega models, alongside digital-to-analog converters and integrated streaming solutions. AURALiC positioned itself in the premium mid-to-high-end segment, offering feature-rich, sonically accomplished products that combined innovative technology with thoughtful industrial design. Their ecosystem approach—pairing hardware with mobile control applications—appealed to listeners seeking convenience without compromising sound quality.
AURALiC ceased operations in September 2025 following an 80% sales collapse in that year. The company's decline resulted from converging pressures: US tariff barriers that suspended American sales, intensifying competition from budget streaming alternatives, economic contraction in China, and mounting software-development costs. Founder Wang's departure in January 2025 preceded the company's final dissolution, leaving owners of its premium products without ongoing support or software updates—a cautionary reminder of the vulnerabilities facing even well-regarded independent audio brands.
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