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Ich verkaufe meinen Tascam DR-40 X.
Er ist kaum benutzt und kommt in einem sehr guten Zustand.
Er funktioniert super für Fieldrecordings, Studioaufnahmen oder Sprachaufnahmen.
Condition is unknown, but at €110 this sits below the €146 median and above the €88 25th percentile, so it reads as a solid fair-to-good buy rather than a steal. It is not expensive for the market, and it leaves some room for a buyer to pay for a clean, working unit without feeling pushed.
This model is well liked because it’s a practical handheld recorder: easy to use, dependable for field capture, and versatile enough for music, interviews, or backup recording. The main thing to check is completeness—caps, power, SD card access, and whether the inputs, knobs, and transport controls behave cleanly—because a healthy unit at this price is the kind of purchase that should just get used.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Tascam is a Japanese professional-audio brand whose roots trace back to TEAC, founded in 1953 by the Tani brothers. The TASCAM name emerged in the late 1960s as TEAC Audio Systems Corporation, and it was formally established in 1971 as TEAC’s U.S. distribution and development arm for recorder products aimed at musicians and studios.
The brand is best known for recorders, mixers, field recorders, multitrack production units, audio interfaces, and related studio gear. Its catalogue has historically centered on practical recording tools rather than lifestyle hi-fi, with strong associations to cassette Portastudios, reel-to-reel machines, and compact pro-audio components.
In the market, Tascam sits in the pro-audio and project-studio space rather than the high-end audiophile tier. Its reputation is built on utility, durability, and value, and some vintage models have become collector favorites, but the brand is not typically positioned as a boutique or luxury hi-fi name.
See all Tascam listings on RADAR.
