Akai GX-67 Tapedeck
- Condition
- Excellent
- Location
- Bergedorf, DE
- Source
- Kleinanzeigen
- Posted
- 13 Sep 2026
- Last seen
- 6h ago
RADAR is a price search engine. We link to the original listing — we never sell direct. Transactions happen on the source site.
RADAR is a price search engine. We link to the original listing — we never sell direct. Transactions happen on the source site.
Biete hier einen AKAI GX-67 Tapedeck an.
Löse meine Hi-Fi Sammlung auf.
Sehr guter Zustand.
Technisch einwandfrei, vor ca. 5 Jahren wurden die Riemen fachmännisch getauscht.
Maximal 20 Stunden gelaufen.
Die Schutzfolie befindet sich noch auf dem Kassettenfach.
Leider spinnt der Rec Balance Regler.
Minimale Kratzer.
Kein PayPal !
Kein Versand !
Keine Garantie
Keine Gewährleistung
Keine Rücknahme
Akai’s GX-67 sits in that sweet spot of late-era Japanese cassette decks: desirable, well-built, and still properly serious for playback and recording. At €350 in excellent condition, this looks fair to slightly good against the recent used market, where examples have clustered roughly around €250-€550, with a lot of decent listings sitting near the €300-€400 zone.
That makes this a sensible buy if it’s genuinely clean, fully working, and ideally serviced. The GX head setup and dual-capstan transport are the appeal here: stable tape handling, long head life, and a deck that still has real enthusiast cachet. The upside is strongest if it includes the original remote, paperwork, or evidence of recent maintenance; if not, still worth considering, but only if playback, record, auto-reverse, and transport functions are all proven.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Akai Electric Company Ltd. traces its origins to Japan, founded by engineer Masukichi Akai in Tokyo around 1929, with his son Saburo Akai playing a key role in its early growth. Initially focused on affordable radio components, the firm formalized as a full electronics manufacturer post-World War II, often cited as 1946. By the mid-20th century, Akai had evolved into a prominent name in consumer audio, peaking in the 1970s before financial troubles led to its exit from the industry in 1991.
The brand built its legacy on high-quality tape-based audio gear, including reel-to-reel tape recorders, cassette decks, tuners, amplifiers, and complete stereo systems that brought professional-grade sound to homes. In the late 1980s, Akai Professional revolutionized music production with the MPC series—starting with the 1988 MPC60, co-designed by Roger Linn—integrating sampling, sequencing, and velocity-sensitive pads into compact workstations that defined hip-hop and electronic genres.
Today, Akai holds a revered vintage-collector status among hi-fi enthusiasts for its robust 1970s components, prized for their warm analog character and build quality. In the pro audio realm, the MPC line endures as an iconic, mid-to-high-end tool for beatmakers, with modern iterations sustaining the brand through licensing. While not a current leader in traditional hi-fi like amplifiers or speakers, its heritage appeals to savvy buyers seeking timeless reliability over fleeting trends.
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