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Sonically the CD5.2 convinces the listener with the charming and warm sound the tube output stages produce. These balanced output stages derived from the PA8 thrill the listener with the emotion loaded music reproduction. Also in the digital domain no expenses were spared and two DACs per channel even work in the digital domain in
balanced mode.
Similar to the CD3.2 the CD5.2 is reduced to the max. Still it offers a large variety of connectivity. All functions are intuitively operable. The perfectly machined housing is built without visible screws and comes standard in silver or black. The traditional AVM chrome front is available as an option. Other customizations are available upon request. The RC 3 is always included.
Tube output stages equipped with ECC83 (12 ax7a), balanced mode
• Regulated high voltage generator independent from AC mains for supply of the tubes
• 2 line outputs (Cinch und XLR)
• 7 digital inputs: 2 x USB (1 x 192/24 asynchronous, 1 x 48/24), 2 x SPDIF coaxial, 2 x SPDIF opt., AES/EBU)
• 2 digital outputs (SPDIF coaxial & SPDIF opt.)
• PureCD CD mechanism with slot-in, spring mounted
• Signal processing with up to 192 kHz/24 bit (upsampling rate adjustable from 44,1 kHz/16 bit to 192 kHz/24 bit)
• 2 switchable digital filters (smooth/sharp)
• separated power supplies for CD drive and audio electronic
• Blue graphic display, dimmable
• RC3 included
• Available finishes: Aluminum silver or black, chrome front optional
The CD5.2 offers connectivity in plenty: 2 x USB (1 x 192/24 asynchronous, 1 x 48/24), 2 x SPDIF coaxial, 2 x SPDIF opt. and one AES EBU digital input. The XLR- and cinch outputs use different drivers and may be operated simultaneous.
Cutting edge technology is applied for the signal processing thruout. Each channel sparks two DACs operated in balanced mono mode. This way the SNR is optimized to the theoretical maximum. The upsampling allows switching the output samplerate between 44.1 and 192 kHz and simultaneous allows the choice between two digital filter characteristics (sharp or smooth). With the upsampling circuit the master tact is regenerated completely and jitter is kept away from the DACs. The PureCD mechanism is spring mounted and completely capsuled.
Like all AVM hi-fi components the CD5.2 is carefully developed and assembled by our engineers in Malsch, Germany. Our vendors for housing and electronic parts reside all near-by. This proximity helps us to easily ensure and maintain superb quality level of the supplied parts for the AVM hi-fi components made of these.
During the manufacturing process we perform repeatedly numerous tests to insure the absolute quality of our products. When the assembling is finished and the first inspection is done all units must pass a run in test in order to prove their reliability. After that a careful final inspection follows before packing & shipping. All this ensures creating a perfect product from AVM for our customers.
Technical Data EVOLUTION CD5.2
CD, digital in/out
Formats CD-Audio (red book), CD-R
Upsampling 192 kHz/24 bit switchable
Deemphasis yes, automatic
Digital-inputs 33–192 kHz/16–24 bit
(S/PDIF, AES/EBU, TOSLINK up to 96 kHz)
USB-Input up to 48 kHz/16 Bit
Digital-output 44,1 kHz/16 bit (with CD)
(S/PDIF, TOSLINK) or input format
Digital inputs:
Input impedance Cinch 75 Ohm
Input impedance XLR (AES EBU) 110 Ohm
Input voltage acc. IEC 958
Digital outputs:
Output impedance Cinch 75 Ohm
Output impedance XLR 110 Ohm
Output voltage acc. IEC 958
Analog outputs:
Output voltage 2,5V
Output impedance Cinch 50 Ohm
Output impedance XLR 150 Ohm
Frequency range 50 kHz
SNR 102 dB/105 dB(A)
TIM 0,01 % (mostly K3)
Miscellaneous
Power supply 230 V/50 Hz
Maximum power supply 40 W
Standby
Is NZ$4,498 a fair ask for this one? Against 19 recent NZD comps, it sits below the NZ$5,086 median and above the NZ$2,903 25th percentile, so this reads as a solid fair buy rather than a bargain-bin steal.
That’s still attractive for a well-regarded CD player with DAC, especially if it’s clean, fully functional, and comes with the remote and original packaging. AVM gear is generally bought by listeners who value smooth, refined playback and a serious build, so a tidy example at this level makes sense for someone who wants to stop cycling through lesser digital front ends.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
AVM Audio, founded in 1986 in Germany by engineers Robert Winiarski and Gunther Mania, emerged from a passion for precision engineering and high-fidelity sound. The duo quickly gained traction with their iconic M1 mono amplifier, selling over 10,000 pairs primarily in Germany. In 2010, they sold the company to Udo Besser, former general manager at Burmester, enabling expansion into Asia and North America while the founders shifted to design and legacy product support. Handmade in Malsch, AVM upholds its heritage of German craftsmanship, now marking over 35 years with limited editions like the 40th-anniversary Bronze series.
The brand specializes in integrated amplifiers, preamplifiers, CD players, streamers, DACs, and compact all-in-one music systems, organized into three tiers: entry-level Inspiration, mid-range Evolution, and flagship Ovation lines encompassing 27 products. Early successes like the M1 evolved into modern updates such as the Classic 30 mono amps, blending high bandwidth and power with contemporary circuits. AVM emphasizes versatile, format-agnostic components that support streaming and digital playback without compromising analog purity.
Positioned as a high-end German luxury marque, AVM delivers natural, transparent sound with minimal coloration, earning a devoted European following before broader recognition. It bridges premium performance and relative affordability through economies of scale, appealing to discerning buyers seeking robust, future-proof hi-fi without headline-chasing gimmicks. This under-the-radar powerhouse stands firm in the competitive audiophile market, prioritizing substance over hype.
See all AVM Audio listings on RADAR.
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