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Professioneller 2-Kanal DJ Controller mit vier Decks für Serato DJ, inklusive Serato DJ Tool Kit
Roland DJ-505 Facts
Zwei Kanäle und Auswahl aus bis zu vier Decks
Große Plattenteller mit minimaler Latenz, ideal zum Scratchen
Acht fest zugeordnete Pads für Serato DJ mit Hot Cue, Roll, Slicer, TR, Pattern und Sampler-Modi
Integrierte Drum Kits der Roland-Klassiker TR-808 und TR-909 auf Basis der fortschrittlichen ACB (Analog Circuit Behavior) Technologie
Acht Sounds pro TR-Kit: Bass Drum, Snare Drum, Closed Hat, Open Hat, Tom, Rim, Clap, und Ride, spielbar über die Performance-Pads und ansteuerbar über den Sequenzer
Bearbeite TR Drumsounds und Serato Samples in Echtzeit über Regler für Level, Attack, Decay und Tune
Klassischer 16-Step-Sequencer zum Ansteuern der TR Drumsounds oder des Serato Samplers; neue Funktionen: Nude (TR-S), Step-Roll und Instrument/Sample Mute
Freischaltung von Serato DJ inklusive Lizenz für das Serato Tool Kit (beinhaltet Serato Pitch ‘n Time DJ, Serato Flip und alle Serato DJ FX Packs)
Mixer standalone verwendbar durch Anschluss eines Multiplayers oder Plattenspielers an die Line- oder Phono-Eingänge; Serato DVS Upgrade Ready
Symmetrische XLR-Ausgänge zum Anschließen eines professionellen PA-Systems; Booth-Ausgang und separate 6,3 mm- und 3,5 mm-Kopfhörerausgänge zum Abhören der Mixe
Mikrofoneingang mit Gate, Hochpassfilter, Hall und Echo
MIDI-Ausgang zum Synchronisieren von externen Geräten mit Serato DJ und TR-S Sequenzer
Frequenzgang: 20 – 22000 Hz
Abmessungen (BxTxH): 530 x 402 x 73 mm
Gewicht: 3,5 kg
Der Verkauf erfolgt unter Ausschluss jeglicher Sachmängelhaftung. Die Haftung auf Schadenersatz wegen Verletzungen von Gesundheit, Körper oder Leben und grob fahrlässiger und/oder vorsätzlicher Verletzungen meiner Pflichten als Verkäufer bleibt uneingeschränkt.
This is a buyer’s market for this model: at €450, it sits well above the median €155 and even above the 75th percentile €390, so the asking price is ambitious rather than fair. It’s hard to call it a bargain when a clean used example is priced that far over the recent comparable range.
That said, the unit itself is a well-liked Serato controller with two channels, four-deck control, and Roland’s TR-style drum and sequencer features, which gives it real appeal beyond a basic club controller. The included transport bag adds practical value for a gigging buyer, and if condition is genuinely good, the package is convenient; still, at this price I’d want evidence of smooth jogs, working pads, and no fader or USB issues before leaning in.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Roland Corporation traces its roots to Osaka, Japan, where Ikutaro Kakehashi founded the company on April 18, 1972, after leaving his earlier venture, Ace Electronic Industries. With a modest capital of 33 million yen and a focus on accessible technology, Kakehashi—himself a non-musician—launched Roland's debut products that year: the TR-33, TR-55, and TR-77 rhythm machines. These early drum machines embodied his vision of miniaturized, affordable gear for amateurs and hobbyists, setting the stage for a legacy in electronic music innovation.
While renowned for synthesizers, drum machines like the iconic TR-808 and TR-909, and digital pianos, Roland's hi-fi offerings center on audio interfaces such as the Rubix and BRIDGE CAST series, alongside mixers and production tools optimized for instrument connectivity. The brand prioritizes reliability and integration for music creation, streaming, and live performance rather than traditional consumer hi-fi categories like amplifiers, speakers, turntables, DACs, headphones, or cables.
Roland commands a dominant position in the professional and prosumer electronic music market, influencing genres from techno to pop with gear trusted by amateurs and pros worldwide. It stands as a mid-to-high-tier powerhouse, far from vintage collector status, delivering battle-tested durability and cutting-edge features that prioritize functionality over boutique aesthetics.
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