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Akai AT-M739 Stereo FM/MW tuner
Tuner Akai 2 views

Akai AT-M739 Stereo FM/MW tuner

USD$71 AUD$100
Condition
Very good
Location
NSW, AU
Seller
nosepeg
Source
StereoNET
Posted
26 Jul 2024
Last seen
29 May 2026

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Seller's Description

Akai AT-M739 Stereo FM/MW tuner Vintage Akai '739 tuner with rosewood side panels in lovely original fully functioning condition. Getting harder to come by... Condition: Very Good Payment Method: EFT, cash on pick up Region/State: (NSW) New South Wales/Australia By nosepeg 0 Comments   AUD $100 Date: July 26, 20241 yr

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About Akai

Akai Electric Company Ltd. traces its origins to Japan, founded by engineer Masukichi Akai in Tokyo around 1929, with his son Saburo Akai playing a key role in its early growth. Initially focused on affordable radio components, the firm formalized as a full electronics manufacturer post-World War II, often cited as 1946. By the mid-20th century, Akai had evolved into a prominent name in consumer audio, peaking in the 1970s before financial troubles led to its exit from the industry in 1991.

The brand built its legacy on high-quality tape-based audio gear, including reel-to-reel tape recorders, cassette decks, tuners, amplifiers, and complete stereo systems that brought professional-grade sound to homes. In the late 1980s, Akai Professional revolutionized music production with the MPC series—starting with the 1988 MPC60, co-designed by Roger Linn—integrating sampling, sequencing, and velocity-sensitive pads into compact workstations that defined hip-hop and electronic genres.

Today, Akai holds a revered vintage-collector status among hi-fi enthusiasts for its robust 1970s components, prized for their warm analog character and build quality. In the pro audio realm, the MPC line endures as an iconic, mid-to-high-end tool for beatmakers, with modern iterations sustaining the brand through licensing. While not a current leader in traditional hi-fi like amplifiers or speakers, its heritage appeals to savvy buyers seeking timeless reliability over fleeting trends.

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