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Akai GX 365D reel to reel In excellent condition, serviced.Previous owner drilled holes for brackets on each side. I filled them and touched them up. It blends in well.I oiled the wood veneer to restore the grain, and it looks excellent.Removed and repaired pinch roller assembly.Cleaned headsCleaned controls.Should last for many more years.Specs:Track system: auto reverse, 4-track, 2-channel, stereo/monaural systemHeads: 1 x record, 1 x play, 1 x eraseMotor: 2 x reel, 1 x capstanReel size: up to 7 inch reelEqualization: NABTape speeds: 1 7⁄8 3 3⁄4 7 1⁄2 15 ipsWow and flutter: 0.04% (7 1⁄2 ips)Frequency response: 30Hz to 28kHz (7 1⁄2 ips)Signal to Noise Ratio: 55dBTotal harmonic distortion: 1.5%Shipping to states in longitude of Colorado, farther west or rural parts of the Midwest will be a little more, billed separately
Compared with a clean, serviced Pioneer RT-707 or similar silver-face reel deck, US$950 for this Akai GX-365D is fair-to-strong, not a steal, but solid if the machine is genuinely excellent and ready to use. New U.S. list price was about US$1000, and current used examples show a wide spread, with serviced units sometimes landing around US$950 and broader used pricing ranging roughly US$400 to US$1000+ depending on condition and completeness.
The GX-365D is well-regarded for its GX glass/ferrite heads, which are prized for durability and stable performance over time. If this one is truly clean, serviced, and comes with the right reels, dust cover, and a quiet transport, it’s a worthwhile buy for someone who wants a handsome, dependable vintage deck rather than a project piece. At this price, the main value is in a confirmed working example with documented service, because any transport or electronics issues would quickly turn a fair ask into an expensive restoration.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Akai Electric Company Ltd. traces its origins to Japan, founded by engineer Masukichi Akai in Tokyo around 1929, with his son Saburo Akai playing a key role in its early growth. Initially focused on affordable radio components, the firm formalized as a full electronics manufacturer post-World War II, often cited as 1946. By the mid-20th century, Akai had evolved into a prominent name in consumer audio, peaking in the 1970s before financial troubles led to its exit from the industry in 1991.
The brand built its legacy on high-quality tape-based audio gear, including reel-to-reel tape recorders, cassette decks, tuners, amplifiers, and complete stereo systems that brought professional-grade sound to homes. In the late 1980s, Akai Professional revolutionized music production with the MPC series—starting with the 1988 MPC60, co-designed by Roger Linn—integrating sampling, sequencing, and velocity-sensitive pads into compact workstations that defined hip-hop and electronic genres.
Today, Akai holds a revered vintage-collector status among hi-fi enthusiasts for its robust 1970s components, prized for their warm analog character and build quality. In the pro audio realm, the MPC line endures as an iconic, mid-to-high-end tool for beatmakers, with modern iterations sustaining the brand through licensing. While not a current leader in traditional hi-fi like amplifiers or speakers, its heritage appeals to savvy buyers seeking timeless reliability over fleeting trends.
See all Akai listings on RADAR.
