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Klinken als nieuw, altijd in een rookvrije omgeving gestaan, overal op aan te sluiten. Perfecte set, vaste prijs 289 euro
This is a fair-to-strong buy rather than a bargain-basement score: at €289, it sits above the €228 25th percentile but still below the €305 median and well under the €368 75th percentile, so the asking price is comfortably in the sensible middle of the market.
The timing is reasonable because this is an older-generation studio monitor line that’s already well known, not a new release you’d be waiting to supersede it. KRK’s 6-inch actives are popular for their punchy, easy-to-place sound and useful as a compact nearfield pair for home studios; with a like-new listing, the upside is mainly getting a clean, ready-to-use set without paying top-of-market money.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
KRK Systems is an American studio-monitor brand founded in 1986 by film mix engineer Keith R. Klawitter; the name “KRK” comes from his initials. The company built its reputation in professional recording and post-production rather than domestic hi-fi, and it is now part of the Gibson family of brands based in Nashville, Tennessee.
KRK is best known for active studio monitors, subwoofers, and related monitoring speakers for producers, engineers, and content creators. Its product range also includes some headphones, but the brand is primarily associated with nearfield monitors such as the long-running ROKIT and CLASSIC lines, which emphasize clarity, detail, and translation in a mix room.
In market terms, KRK sits in the mid-tier to upper-mid-tier professional segment rather than the high-end audiophile or vintage-collector space. Its yellow-cone monitors are widely recognized in home studios and project studios, with a reputation for punchy, accessible, workhorse sound that has made the brand especially popular among music makers who want reliable reference speakers at a competitive price.
See all KRK Systems listings on RADAR.
