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Angeboten wird „Blue - Goldspot“ von Kiseki als Gebrauchtgerät aus der Kategorie „Tonabnehmer MC“ bei audio-markt.de - dem Online-Marktplatz für High-End. Das Inserat mit der Nummer 8621655445 endet am 06.08.2026 um 08:56 Uhr.
Kiseki’s Blue is a respected vintage moving-coil cartridge, and at €850 this listing is a strong deal versus your recent EUR comps: it sits well below the €1,434 25th percentile and far under the €2,017 median. On your database alone, this is priced like a bargain rather than a merely fair buy.
That makes it interesting for a buyer who wants the Kiseki house sound: lively, refined, and musically engaging, with the kind of midband presence and trackability that keeps these cartridges sought after. In good condition, the upside is obvious if it has been well stored and the stylus is healthy; for a cartridge this age, I’d still want clear confirmation of hours, cantilever/stylus condition, and whether the original packaging or accessories are included.
Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.
Kiseki emerged in the early 1980s from the Netherlands, the brainchild of Herman van den Dungen, a hi-fi entrepreneur behind Durob Audio and PrimaLuna amplifiers. Disillusioned after losing the Koetsu cartridge distributorship, van den Dungen designed his own moving-coil phono cartridges to rival the Japanese benchmark, commissioning bodies machined locally and critical components—stylus, cantilever, coils, and magnets—from Japanese artisans. The brand's evocative name, meaning "miracle" in Japanese, fueled a mythic aura, with early rumors of a fictional founder, Goro Fokadu, enhancing its enigmatic allure despite its Dutch origins.
Kiseki specializes exclusively in high-end moving-coil phono cartridges, hand-built with meticulous craftsmanship. Iconic models like the Blue and Purple Heart Sapphire defined the lineup, blending exotic materials and precise tuning for analog playback. No diversification into amplifiers, speakers, turntables, DACs, headphones, or cables; the focus remains laser-sharp on these vinyl-centric jewels, parts sourced and assembled in Japan to van den Dungen's exacting specifications.
In the 1980s and 1990s, Kiseki commanded cult status among audiophiles, with prices rivaling Koetsu and demand so high that hundreds sold monthly, even drawing U.S. distribution via Krell's Dan D'Agostino. Today, it occupies a niche boutique position in the high-end market—vintage-collector territory for originals, revived sporadically for modern enthusiasts seeking that elusive, holographic sound. For the discerning hi-fi buyer, Kiseki represents analog artistry at its most mysterious and coveted.
See all Kiseki listings on RADAR.
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