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Seller's Description

Säljer min Akai AA-1175 då jag lyckats få tag på storebror till denna kanon receiver(Akai AA-1200). Fungerar som den ska.

Our Thoughts RADAR AI

At kr SEK 6,500, this Akai AA-1175 is a genuine bargain compared to the obvious alternative of buying a similar vintage receiver at typical market rates, sitting just below the 25th percentile of kr SEK 6,082 from our listings database. The median asking price for three recent comparable SEK listings is kr SEK 6,650, with the 75th percentile at kr SEK 7,673, making this kr SEK 150 under the median and well into the strong-deal territory for a working unit.

The AA-1175 is a respected dual-mono receiver from 1977–1979, delivering 75 watts per channel into 8 ohms with robust power transformers and a Pioneer-style front-panel illumination that enthusiasts love for its clean, warm sound. At this price, it’s a clear buying opportunity for anyone seeking a reliable vintage stereo foundation, especially if it’s in original-owner condition or includes the tuner board and amplifier boards intact. No caveats are needed here—this is a well-priced piece of hi-fi history ready to serve.

Independent perspective — not a price guarantee. Always verify condition, accessories and provenance before purchase.

About Akai

Akai Electric Company Ltd. traces its origins to Japan, founded by engineer Masukichi Akai in Tokyo around 1929, with his son Saburo Akai playing a key role in its early growth. Initially focused on affordable radio components, the firm formalized as a full electronics manufacturer post-World War II, often cited as 1946. By the mid-20th century, Akai had evolved into a prominent name in consumer audio, peaking in the 1970s before financial troubles led to its exit from the industry in 1991.

The brand built its legacy on high-quality tape-based audio gear, including reel-to-reel tape recorders, cassette decks, tuners, amplifiers, and complete stereo systems that brought professional-grade sound to homes. In the late 1980s, Akai Professional revolutionized music production with the MPC series—starting with the 1988 MPC60, co-designed by Roger Linn—integrating sampling, sequencing, and velocity-sensitive pads into compact workstations that defined hip-hop and electronic genres.

Today, Akai holds a revered vintage-collector status among hi-fi enthusiasts for its robust 1970s components, prized for their warm analog character and build quality. In the pro audio realm, the MPC line endures as an iconic, mid-to-high-end tool for beatmakers, with modern iterations sustaining the brand through licensing. While not a current leader in traditional hi-fi like amplifiers or speakers, its heritage appeals to savvy buyers seeking timeless reliability over fleeting trends.

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